The best street photography images feel like they’re from once-a-year moments. For street photography in London, the city is filled with annual events every month that facilitate these moments, often feeling like you’re somewhere outside the city with how diverse it is.
London street photography on 12 August 2026, the evening of the solar eclipse on Primrose Hill.
However, there are quite literally once-in-a-lifetime moments that are worth marking the calendar for and counting down the days until. The solar eclipse in London on 12 August 2026 was no exception.
Thousands turned out on Primrose Hill to watch the solar eclipse together, most of them in the same cardboard glasses.
The Events
London is a city filled with events that you can never fully keep up with. That’s the appeal of the city, with the old adage of “to be tired of London is to be tired of life”.
I’m a photographer from Vancouver, Canada, and growing up there has given me an appreciation for diversity; to me, it feels weird without it. However, London brings it to another level.
Pure awe at the peak of the eclipse, the kind of reaction that makes street photography in London worth planning around.
London is home to cultural events that the city comes together for that are unlike anything I’ve experienced in Vancouver because of the cultural communities that call it home. Carnival and its J’Ouvert in Notting Hill is one I’ve looked forward to all year, and I shared a blog post about how my own calendar mismarking led me to a 4:00 am wake-up and a London event I will be sure not to miss next year.
Meanwhile, Purim in Stamford Hill in the Hasidic Jewish community saw a street party I’d never experienced, but one candid photo I got led to me winning third place in the London Street Photography Festival’s “London Photo” category.
Sometimes, you only stumble upon them, like seeing Middlesbrough supporters in London’s Trafalgar Square before their playoff at Wembley. It was purely the right place at the right time, and only after I had originally planned to go home.
As someone who’s only recently made London their home, it either takes time to discover them and mark the calendar for the year following or someone to demystify them.
The Framelines community has been great for not only meeting like-minded street photographers in London, but also tapping into the knowledge of those who’ve been in London for decades and know its ins and outs like the back of their hand.
Photographer Simon King just put out a documentary, Everything Happens All The Time (I caught its release at the Photobook Café), that’s a love letter to this community, where some of those same events are shown within the film, along with the reflections of those who document them: each in their own distinct style. It’s long, so be sure to save it for later – but it captures the sentiment of the city and the people who document it best.
The Solar Eclipse
Meanwhile, there are events that bring all cultures, ages, and walks of life together. This year, it was the solar eclipse.
Having read about it in a Reddit comment months before, I put it in the calendar and marked the date.
I remembered street photography of New York’s eclipse leaving memorable images in my head of crowds wearing the cheap cardboard eclipse glasses, and I knew I wanted to be there to document it.
What I knew I’d be thanking myself for then and there was ordering a pair of eclipse glasses off of Amazon at £4 for a pack of two. The day before the eclipse and the day of, some people paid well above ten times that.
Eclipse glasses were the hottest item on Primrose Hill that evening.
The Busy Season
Though I try to make time for street photography multiple days a week, it can sometimes find its way onto the backburner. Most recently, commercial clients have been commissioning street photography for advertising campaigns. With my IBM x Wimbledon campaign published over the summer, it’s given a new sense of purpose to documenting the streets.
“One for the wallet, one for the heart” is a phrase I try to keep in my mind as much as I can for doing a personal photography shoot (namely, street, editorial fashion, or street style photography). It’s easier said than done when you’re a freelancer, as it’s hard to say no to clients commissioning your work. It’s a good problem to have, but I’ve been in places like the start of the year where my photography services for lifestyle photography completely filled my calendar without breaks – or making work for me. And the work I make for me is what most often leads to these commissions.
In August especially, it’s my busiest time of year for editorial portraits with business professionals, like my personal branding services, as the corporate world slows down and the good weather makes it attractive for shoots – but it also does for street.
I was fortunate to have a client fly from Zurich to shoot for half the day, but it was the day of the eclipse and the day before I had to fly back to Canada. The conditions were set for me to feel exhausted and bail on it, especially as the shoot ran long and I had all of my studio equipment with me, but I pushed through and made a plan.
Primrose Hill
While stumbling upon the right spot for the eclipse and taking my best guess at where would’ve been good to shoot would have sufficed, its peak is only for a short period. I first thought the Royal Observatory in Greenwich would be great to watch it from, as Google had suggested, but in my lack-of-time panic when ensuring I had enough buffer after my shoot, I put my query into Claude.
This is by no means a plug for it, but it’s become a major supporter of me and my photography work as a whole. Compared to ChatGPT, Claude excels at research. No, I don’t use it to write my blog posts for me – I like to write and it isn’t something I’d change, nor do I find its copywriting from scratch readable, nor does it capture the tone I seek to convey.
That said, Claude shot down my Greenwich idea, given how far it was – and that it was a sold-out ticketed event (didn’t know that), but suggested that Primrose Hill would be my best bet, and it absolutely did not disappoint.
Having put my studio kit housed in a suitcase in storage before making the journey, I had momentum and I felt ready.
The Crowds
The eclipse viewing was the busiest event I had been to in London. It nearly became a crowd crush at the peak of the hill. When getting from A to B, London’s crowds are always a frustration; however, with a camera and a purpose, I thrive in them.
That said, in the ocean of Lime bikes, my trip wouldn’t end. I let the charges run until it automatically ended as I felt I would waste time (and energy) hiking back up and down the hill.
The ocean of Lime bikes beside Primrose Hill, where my own ride refused to end.
I found my perfect areas with enough room to get folks in frame, have the light illuminate them, and capture the frenzy of faces wearing their eclipse glasses – or the homemade alternatives.
The homemade alternative: a kitchen colander projecting dozens of tiny crescent suns.
Having the one I ordered in the weeks before, which I later gave away to someone as I’d rather document the crowds observing the peak than feel I needed to see it myself, I learned that when wearing those glasses, you can see absolutely nothing else other than the eclipse. It is pure black.
Those unique images from New York with crowds wearing the glasses immediately made sense. You’re able to get up right close without ruining the moment or blocking the view.
The results were every range of emotion, reaction, and a sense of community for this moment that could be appreciated by everyone. The city came together, and it reminded me why I call London home.
Moreover, it’s given a feeling of momentum to fill my calendar with the events for the years to come.
Left on a bin as the crowd headed home down the hill.
Me at the top of Primrose Hill in the glasses I later gave away, so I could keep photographing the crowd.